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1962年生於臺灣臺北,1984年畢業於國立台灣師範大學美術系西畫組,1992年取得國立台灣師範大學美術研究所理論組碩士學位。1993年起旅居歐洲多國寫生創作,1994年至2007年間,多次旅居德國,發表個展並出版畫集。
其早期畫風受印象派影響,以抒情寫生為主,融合法國畫家莫內、梵谷與波納爾等人的用色與光影技法,畫風清新自然。攻讀碩士期間研究老莊哲學,並撰寫《莊子思想之美學意義》,自此創作風格逐漸深化。1990年代後期,她開始發展帶有主觀心靈意象的「黑桌靜物」系列,以花卉、器皿與木質家具構築靜謐空間,後續更以自身居所為題材,創作「老院子」系列。
Dong Shaw-hwei was born in 1962 in Taipei, Taiwan. She graduated from the Department of Fine Arts at National Taiwan Normal University in 1984 and obtained a master’s degree from the university’s Graduate Institute of Fine Arts in 1992. Beginning in 1993, she traveled across Europe for plein air painting, and from 1994 to 2007, she frequently resided in Germany, where she held solo exhibitions and published art collections.
Her early work was influenced by Impressionism, focusing on lyrical landscape painting. She incorporated the use of color and light techniques from Claude Monet, Vincent van Gogh, and Pierre Bonnard, resulting in a fresh and natural style. During her graduate studies, she explored Daoist philosophy and authored “The Aesthetic Meaning of Zhuangzi’s Thought”, which deepened her artistic expression. In the late 1990s, her style evolved towards a more subjective and introspective approach, leading to the development of the “Still Life of Black Table Series”, where she used flowers, vessels, and wooden furniture to create tranquil spaces. She later drew inspiration from her own residence, developing the “Courtyard in Black and White Series”.