© 2025 Copyright – 琂樂堂藝文空間
– made by bouncin
展期｜2026. 07. 15 (Wed) – 08. 16 (Sun) 11:00 – 19:00
地點｜台北市大同區環河北路一段111號1樓 琂樂堂藝文空間
展期｜2025 . 09. 27 (Sat) – 10. 26 (Sun) 11:00 – 19:00
開幕｜2025 . 09. 27 (Sat) 15:00
地點｜台北市大同區環河北路一段111號1樓 & 3樓 琂樂堂藝文空間
「獸徑」，本是動物在大自然中依循本能，世代踩踏而出的生命痕跡。
然而，在人類文明高度發展的現代，冰冷的柏油路、施工路障與城市的快節奏，覆蓋了這些古老的足跡。
在過度擴張的水泥迷宮中，城市充滿了速度帶來的失焦暈眩感；身處其中的動物們，則與人類的焦慮共構，成為被體制禁錮的超現實巨獸；或在文明縫隙的溫室裡，變異出帶有防衛性的神祕犄角；甚至，化為一道綠意微光，在被壓縮的時空中瘋狂奔逃。
當古老的獸徑在都市擴張中逐漸隱沒，而看似便利的現代生活背後，迷失在都市迷宮中的，究竟是野生動物，還是人類迷茫的未來？
“Animal tracks” were originally the imprints of life, carved into the great outdoors by creatures following their instincts across generations.
However, in our highly developed modern civilization, these ancient footprints have been overwritten by cold asphalt, construction barricades, and the frantic pace of the city.
Within this sprawling concrete labyrinth, the city is consumed by a blurred vertigo born of sheer speed. The animals trapped inside become intertwined with human anxiety, morphing into surreal, monolithic beasts bound by institutional confinement. Others, nesting within the greenhouses of civilization’s crevices, mutate to sprout mysterious, defensive horns. Some even transform into a glimmer of green light, fleeing wildly through compressed time and space.
As these ancient tracks gradually fade amid urban expansion, a question lingers behind the facade of our convenient modern lives: who is truly lost in this urban maze—the wild animals, or humanity’s own uncertain future?
藝術家
- 鄭真蓉 Jinyong Jeong1972 年生於韓國全州。自藝術名校弘益大學畢業，並於2005年榮獲美術學博士學位。鄭真蓉的創作深具東方哲思與當代城市批判。他打破傳統平面界線，創新地利用玻璃珠與筆墨複合媒材，在畫面上堆疊出帶有神祕微光與斑駁感的歷史建築、佛像與當代街廓。他以冷冽而宏大的視角，探討人類文明擴張下的假像都市、空間禁錮與生命異化，在傳統美學意韻與當代符號敘事中，建構出跨越時空的異質景觀。其作品於首爾、台北、北京等地舉辦多次個展，並獲韓國國立現代美術館、首爾市立美術館等重要機構典藏。
Born in Jeonju, South Korea in 1972, Jinyong Jeong received his B.F.A. and M.F.A. from the prestigious Hongik University, where he subsequently earned his Ph.D. in Fine Arts in 2005. Jeong’s artistic practice weaves a poetic tapestry of Eastern philosophy and contemporary urban critique. Breaking the boundaries of traditional Oriental painting, he innovatively uses crystal powder combined with Eastern ink media to layer shimmering yet weathered historical monuments, Buddhist icons, and modern streetscapes. With a keen, macroscopic eye, he explores themes of urban expansion, spatial confinement, and the alienation of life within modern civilization. Through a juxtaposition of traditional aesthetics and contemporary symbols, he constructs a heterogeneous landscape that transcends time. His works have been showcased in numerous solo exhibitions across Seoul, Taipei, and Beijing, and are held in prominent public collections, including the National Museum of Modern and Contemporary Art (MMCA) and the Seoul Museum of Art (SeMA).
- 唐文濤 Tang Wentao唐文濤 Tang Wentao
1973 年生於山東淄博，畢業於西安美術學院油畫系。唐文濤擅長將細膩的情感與轉瞬即逝的時間際遇，轉化為畫面中淋漓的淡彩暈染與率性自然的顏料塗寫。在虛擬與數位圖像的時代，他承繼著畫者與自然對話的使命，將流動的存在感凝固為可視的永恆。其作品歷年來展出於北京、紐約、深圳等地，曾舉辦「對景」、「唐文濤」等重要個展，並受邀參與紐約「新野性神話國際巡展」、深圳文博會等展覽。
Born in Zibo, Shandong Province in 1973, Tang Wentao graduated from the Oil Painting Department of the Xi’an Academy of Fine Arts. Amidst the intricate and multi-layered discourses of contemporary art, Tang maintains a steadfast devotion to the primal instinct of painting. His practice centers on two echoing threads: sketching from nature and natural themes. He skillfully transforms delicate emotions and fleeting encounters with time into expressive, fluid washes and spontaneous ink brushwork. In an era dominated by virtual and digital imagery, Tang fatedly embraces the painter’s timeless mission to converse with nature, solidifying a fluid sense of existence into visible eternity. His works have been exhibited extensively in Beijing, New York, and Shenzhen, featuring notable solo exhibitions such as In Front of the Scenery. He has also been invited to major contemporary exhibitions, including the New Wild Myth International Tour in New York and the Shenzhen ICIF.
- 魏言 Wei Yan1975年生於四川自貢，又名魏建翔。2000年畢業於四川美術學院油畫系，並於2007年取得四川音樂學院成都美術學院油畫碩士學位，亦為本土實驗藝術機構「北村獨立工場」組織策劃人。
魏言的創作無論在主題或美學意境上，皆與主流樣式及流行圖像保持著「深度距離」，展現出異於當代樣板的獨立思想。他擅長以自由想像構建帶有「靈性」與寓言質感的精神空間。其作品曾受邀參加威尼斯雙年展平行展、香港巴塞爾、上海雙年展等。歷年作品獲澳洲白兔美術館、中華視覺藝術基金會等重要機構典藏。
Born in Zigong, Sichuan Province in 1975, Wei Yan (also known as Wei Jianxiang) graduated from the Oil Painting Department of the Sichuan Fine Arts Institute in 2000 and earned his M.F.A. from the Chengdu Academy of Fine Arts, MMCC in 2007. He is also the organizer and curator of the local experimental art institution “Bei Cun Independent Factory.”
Wei Yan maintains a “deep distance” from mainstream styles and pop iconography in both theme and aesthetic vision. Eschewing contemporary templates, he employs free imagination to construct spiritual spaces imbued with a distinctive “spiritual” and allegorical aura. His works have been showcased in major international exhibitions, including the Venice Biennale Parallel Exhibition, Art Basel Hong Kong, and the Shanghai Biennale. His pieces are held in prestigious collections globally, including the White Rabbit Gallery in Australia and the Chine.
- 高木智廣 Tomohiro Takagi1972年生於日本岐阜縣，1992年畢業於武藏野美術大學。曾赴巴黎學習西方古典與宗教油畫技法，並於巴黎自然歷史博物館研究動物骨骼。青年時期深入巴布亞紐幾內亞原始部落的旅行經歷，對高木智廣的藝術觀產生了決定性的影響。目睹現代文明與大自然之間的巨大斷裂，他將創作核心聚焦於人類與自然的關係，試圖在畫布上重構一個「人獸邊界模糊」的無界世界。他以極具野性與生命力的筆觸，描繪出人類被動物主宰、或是兩者在焦慮中融合的超現實景觀。其作品曾於東京、京都、台北等地舉辦多次個展，並活躍於香港、新加坡、馬尼拉等亞洲重要藝術博覽會。
Born in Gifu Prefecture, Japan in 1972, Tomohiro Takagi graduated from Musashino Art University in 1992. In his early twenties, he traveled to Paris to study classical oil and religious painting techniques independently, while conducting anatomical research on animal bones at the National Museum of Natural History. Takagi’s artistic vision was profoundly shaped by his journeys deep into the mountains of Papua New Guinea. Witnessing a primitive state where the boundary between humanity and nature remains ambiguous, he began exploring the terminal distance between modern society and the wild. Through wild, vital brushwork, he depicts surreal, borderless worlds where humans are dominated by or intertwined with beasts. His works have been showcased in numerous solo exhibitions in Tokyo, Kyoto, and Taipei, and are regularly featured in major art fairs across Hong Kong, Singapore, and Manila.
- 姜流真 Yujin Kang1977年生於韓國首爾，先後取得首爾大學美術學院學士與碩士學位，隨後赴英深造，獲得倫敦大學金匠學院（Goldsmiths）藝術碩士學位。姜流真以繪畫流暢地穿梭於人造與自然、具象與抽象、現實與超現實的邊界。她常以大都市中的摩天大樓、櫥窗、機場與泳池等人造空間為靈感，利用複印、放大與解構等手法重組圖像，並透過琺瑯漆與壓克力顏料的灑落與滴流痕跡，加劇畫面的視覺張力。她將城市奇觀與個人記憶、體驗相疊加，揭示光鮮景觀背後的另一種真實本質。其作品曾展出於紐約、倫敦、首爾等地，並榮獲韓國國立現代美術館藝術銀行、首爾市立美術館、錦湖美術館等重要機構收藏。
Born in Seoul, South Korea in 1977, Yujin Kang earned her B.F.A. and M.F.A. from Seoul National University. She continued her studies in London, obtaining an M.A. in Fine Art from Goldsmiths, University of London. Kang’s paintings fluidly traverse the boundaries between the artificial and the natural, the abstract and the figurative, and the real and the surreal. Inspired by spectacular urban spaces—such as skyscrapers, shop showcases, and swimming pools—she deconstructs and reconstructs these environments. By incorporating the scattered, dripping textures of enamel and acrylic paints, she intensifies the emotional tension on the canvas. Her practice fuses man-made structures with personal memory and experience, revealing the underlying essence behind brilliant modern landscapes. Her work has been exhibited in New York, London, and Seoul, and is held in prestigious public collections including the Seoul Museum of Art (SeMA) and the National Museum of Modern and Contemporary Art (MMCA) Art Bank.
- 高翔 Gao Xiang1971年生於雲南昆明。2008年畢業於中央美術學院，獲油畫專業博士學位，工作生活於北京與昆明。他亦是義大利大師莫蘭迪的研究專家，著有數本相關學術專著。
高翔的創作在寫實基礎上著重抽象與表現性。他擅長以象徵與寓意手法虛構亦真亦幻的場景，借助寫意筆觸與大膽色彩，傳達浪漫而具詩意的內心情感。在代表作《夢》系列中，他以綠色象徵深夢，透過巨馬在天地間奔馳的意象傳達生命的運動感。其作品曾獲第三屆全國青年美展獎項，並於倫敦、巴黎、台北等地展出。
Born in Kunming in 1971, Gao Xiang earned his Ph.D. in Oil Painting from the China Central Academy of Fine Arts in 2008. Gao is a leading expert on the Italian master Giorgio Morandi, having published several academic monographs on his work.
Integrating abstract and expressionist sensibilities on a realistic foundation, Gao fabricates dreamlike scenes with allegorical narratives. Through spontaneous brushwork and bold color palettes, he conveys a romantic, poetic inner landscape. In his iconic Dream series, he employs the color green to symbolize deep dreams, utilizing a giant horse galloping across heaven and earth to evoke the movement of life. Awarded at the 3rd National Youth Art Exhibition, his work has been widely exhibited in London, Paris, and Taipei.